Award-winning dance duo Jessica Wright and Morgann Runacre-Temple, known as Jess and Morgs, have created a new piece titled 'Deepfake'. The production delves into the political ramifications of deepfake technology and the challenges of discerning truth in contemporary media. The show is set in a green-screen studio, depicting an interview between a journalist and a politician.
Jess and Morgs are known for integrating ambitious technology, such as film and live camera work, into their performances. Their previous work, 'Coppélia' for Scottish Ballet in 2022, reimagined a 19th-century ballet to address themes of AI automatons and unchecked technological development. They also recently debuted at the Paris Opera Ballet.
For 'Deepfake', Jess and Morgs, along with writer Jeff James, drew inspiration from various television interviews, including Jeremy Paxman's 1997 interview with Michael Howard and Prince Andrew's appearance on Newsnight. They also considered the evasive communication styles of modern politicians. The creators view the television interview format as inherently theatrical, making it suitable for a stage production that engages the audience with its dramatic elements.
The performance incorporates four live cameras that film the interview. Audiences will see both the live action and an edited version on screen, which includes background footage. This setup aims to reveal the process of image fabrication and present multiple potential realities. Seven dancers in green-screen suits also interact with and manipulate the environment.
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Choreographers Jessica Wright and Morgann Runacre-Temple (Jess and Morgs) are staging a new dance piece titled 'Deepfake' that examines the political implications of deepfake technology. The production uses live camera work and green-screen effects to explore the fabrication of truth in media, building on their previous work with technology themes.